EN

1994. Four Westerners travel to besieged Sarajevo for a "safari": in exchange for money, a Serb militia grants them 72 hours at a sniper post. They have come seeking a thrill, a cause, a trophy, or a way to regain lost self-esteem. Yet the enemy remains out of reach. Then come fatigue, fear, a fatality, and injuries. One of the snipers suggests a different target: civilians. He shoots one down. The "sniper duel" contract turns into a crime. The group fractures, torn between those who want to stop and those driven to continue by the taste of blood—or by fear of that shooter.

The journey undertaken by Providence and Airbag—the two main characters—unfolds in a world governed by its own internal logic; it is a story of encounters. We travel alongside them. Narratively, the element of discovery drives the story, shaping it into a coming-of-age tale in the vein of Collodi’s Pinocchio. The film also offers nods to the great stories that inform its spirit—such as Providence shrinking like Lewis Carroll’s Alice, or the witch Befana evoking Saraghina from Fellini’s 8½ —while a freedom of tone and a sense of the unexpected provide the narrative’s driving force.

As he does every evening at dusk, Marius – a mute man in his thirties – drops in to see his mother before she takes to the stage. Despite the passing years, Simone remains the diva of the ‘Cœur Fou’, the harbour cabaret. There, she performs as a seductive siren for passing sailors.
But the arrival of Joséphine, a mysterious young woman who has come to replace the barmaid, is set to turn this world upside down: Joséphine secretly dreams of singing, and Marius, for his part, does not seem immune to her charms..

Tomorrow, society’s elite are listed on the Human Stock Exchange. Each chosen individual receives capital... and a watch displaying their value in real time.
Félix Fox, a humble car salesman, is hardly an exceptional candidate. Yet, against all odds, the HSE offers him a place among the privileged few.
Seeking a better future, Félix becomes a prisoner of a system where every choice he makes must satisfy his shareholders. A world where freedom, love, and even humanity have no place. A world where nothing has value—but everything has a price.

Based on the graphic novel of the same name by Xavier Dorison—an author with six million albums sold and the screenwriter behind "Paris Police 1905" and "The Sentinels".